Racine, Jean

The classic biography is Raymond Picard, La Carri�re de Jean Racine, new ed. rev. and augmented (1961). Geoffrey Brereton, Jean Racine: A Critical Biography (1951, reprinted 1973), is also worth consulting. A popularized treatment is Alain Viala, Racine: la strat�gie du cam�l�on (1990). Racine's central place in the history of French tragedy is discussed in Jacques Truchet, La Trag�die classique en France (1975). Critical studies accessible to the general reader include John C. Lapp, Aspects of Racinian Tragedy (1955, reissued 1978); Odette de Mourgues, Racine; or, The Triumph of Relevance (1967); Claude Abraham, Jean Racine (1977); David Maskell, Racine: A Theatrical Reading (1991); Edward Forman (ed.), Racine: Appraisal and Reappraisal (1991); Richard Parish, Racine: The Limits of Tragedy (1993); Henry Phillips, Racine: Language and Theatre (1994); and Derval Conroy and Edric Caldicott, Racine: The Power and the Pleasure (2001). The most controversial interpretations of Racine (anthropological by Roland Barthes, Marxist by Lucien Goldmann, and psychoanalytical by Charles Mauron) are reviewed with many others by Jean Rohou, Jean Racine: bilan critique, ed. by Alain Pag�s (1994). Roy C. Knight, Racine et la Gr�ce, 2nd ed. (1974); and Ronald W. Tobin, Racine and Seneca (1971), elucidate Racine's vast knowledge of Greco-Roman antiquity. The rhetoric of the plays has been studied by Michael Hawcrowft, Word as Action: Racine, Rhetoric, and Theatrical Language (1992).